Dr Robert Yeates is Associate Professor of American Literature at Okayama University, Japan. He is the author of American Cities in Post-Apocalyptic Science Fiction (UCL Press, 2021) and has published articles in journals including Journal of the Fantastic in the Arts, Science Fiction Studies, and European Journal of Cultural Studies. More information can be found at robertyeates.wordpress.com.
Debadrita Saha is a PhD candidate in English Literature at Ashoka University, India, specialising in Gothic literature, film criticism, South Asian studies, and gender studies. Her work bridges Gothic studies with postcolonial and feminist literary criticism, offering fresh perspectives on Gothic traditions in Asian literature, particularly Bengali literary narratives. Debadrita has contributed significantly to Gothic scholarship through her analysis of female Gothic in the Sinister House of Secret Love series and Gothic elements in nineteenth-century Orientalist fiction. Her conference presentations include “Mapping the reimagination of the ‘travelling Heroine’ of Female Gothic” at the Ann Radcliffe Academic Conference and “The Gothic Castle as a Restraining Space for Unbridled Female Sexuality” at MAPACA, demonstrating her expertise in Gothic literary criticism. Currently serving on the Editorial Board of The Journal of the Motherhood Initiative (Demeter Press), Debadrita was formerly an Assistant Professor of English at Brainware University. Debadrita’s essays have been published in peer-reviewed journals like Rejoinder (Rutgers University), Genre en séries (OpenEditions), and The Journal of Intercultural Studies (Taylor & Francis). Her essay on consent and coercion in medieval Bengali literature was published in an edited volume titled Reconsidering Consent and Coercion in Medieval Literature by Brepols in June 2025.
Dr Chawarote Valyamedhi is a full-time Assistant Professor at National Chengchi University, Taiwan. He holds PhD in Thai Dance, MA in Sanskrit, BFA in Music from Chulalongkorn University, Certificate in Japanese Culture and Language from Ryukoku University and Senshu University, Japan, and Certificate in Chinese Language and Culture from National Taiwan University. His research interests include connection between performing arts and literature, performing arts and beliefs, world performing arts, cultural history and intellectual history of dance. From July 2018 Chawarote is a visiting fellow at Taipei National University of the Arts. He has experience as lecturer at Thammasat University, Assumption University of Thailand, and as an adjunct faculty at Chulalongkorn University, Webster University Thailand, and Taipei National University of the Arts. He has served as a full-time faculty at National Chengchi University since 2021.
Jenny Wan Ying Chak is an MPhil student in the Comparative Literature department at the University of Hong Kong. Her research interests include East-West Literary Criticism, Ecocriticism, Classical Chinese Literature, Gothic Literature, and Detective Fiction. Her thesis employs a transcultural ecogothic lens to explore the intricate representations of nonhuman animals and natural environments in Pu Songling’s and Edgar Allan Poe’s short stories.
Dr Manuel Herrero-Puertas is Associate Professor of Foreign Languages and Literatures at National Taiwan University, Taiwan, where he teaches courses on early and nineteenth-century American literature and disability studies. He writes on the intersection of literature, discourses of disability, and political fantasy. His work has appeared in American Quarterly, ATLANTIS, Concentric, The Journal of Literary & Cultural Disability Studies, and Poe Studies: History, Theory, and Interpretation. He is currently working on two projects. The first one argues for a non-psychoanalytic engagement with the transatlantic gothic, making a case instead for the genre’s accessible materiality and latent crip politics. The second project undertakes a cognitive study of the U.S. frontier in its historical, historiographical, and fictional manifestations as a locus of compulsory distraction and undisciplined attention.
Kristopher Woofter, PhD, is a faculty member in the English Department at Dawson College, in Tio\’tia:ke (Montréal, Québec). He edits the peer-reviewed journal Monstrum, and is Co-founder of the Montréal Monstrum Society. He is a 2021 Bram Stoker Award Finalist for Superior Achievement in Non-Fiction for Shirley Jackson: A Companion (2021). He also co-edited American Twilight: The Cinema of Tobe Hooper with Will Dodson (2021). He has recently written on Nosferatu (2022), the documentary thought-experiment film Into Eternity (with Mikaela Bobiy, 2022), and Jack Arnold\’s The Incredible Shrinking Man (forthcoming). His forthcoming projects as co-editor include The Weird: A Companion (fall 2024, with Carl Sederholm), The Routledge Companion to Horror (with Stacey Abbott, Adam Lowenstein, and Roger Luckhurst), and The Oxford Handbook of Shirley Jackson (with Emily Banks). Kristopher is series co-editor (with Erin Giannini) of B-TV: Horror Television Under the Critical Radar for Bloomsbury, and an editorial board member for Horror and Gothic Media Cultures (Amsterdam UP).
Farah Alavi, a literature graduate from Sharda University, India, has a deep passion for classical literature, Gothic tales, and mythical folklore. Her recent research paper, titled \”Unveiling the Dark: An Exploration of Gothic Elements in Bram Stoker\’s Dracula and Its Cinematic Transformation,\” delves into the eerie and captivating world of Gothic fiction. Farah\’s work not only sheds light on the dark themes within Stoker\’s iconic novel but also examines how these elements have been transformed and reimagined in film. Her insightful analysis brings a fresh perspective to the timeless allure of Gothic storytelling.
Raiden Montero is an International Recruitment Coordinator at the University of Wisconsin Oshkosh (USA). He is also a doctoral student at Concordia University Wisconsin (USA) and holds an MA in Asian Languages and Cultures from the University of Wisconsin-Madison (USA). His research interests center around Horror Studies, political film readings, vengeful female ghosts, feminist film theory, Folk Horror, and Urban Horror. His geographic areas of interest are Southeast Asia (specifically Thailand) and East Asia (specifically Japan, Korea, and Taiwan).
Dr Meheli Sen is Associate Professor in the department of African, Middle Eastern, and South Asian Languages and Literatures, and the Cinema Studies program at Rutgers University. She has co-edited Figurations in Indian Film (Palgrave-Macmillan, 2013). Sen’s book, Haunting Bollywood: Gender, Genre and the Supernatural in Hindi Commercial Cinema was published in 2017 by The University of Texas Press. She is currently working on a manuscript on horror and digital media cultures in South Asia.
Dr Sylvia Sagolsem is an Independent Researcher and former Assistant Professor of English Literature at Kamala Nehru College, University of Delhi. She holds a Ph.D. from Centre for English Studies, School of Language, Literature and Culture Studies, Jawaharlal Nehru University, New Delhi, India (2019). Her research interests include Folktale and Fairy Tale Studies, Folklore and Digital Cultures, Oral Literatures, Literatures of Northeast India, and Hallyu Studies. Her forthcoming publications include two book chapters, “Hallyu 2.0 and social media in Manipur: Examining Cultural Formation through User Generated Content” (Palgrave/Springer) and “Phungawari in the Digital Age: Folkloric expressions and new media” (Routledge).