Debadrita Saha

Debadrita Saha is a PhD candidate in English Literature at Ashoka University, India, specialising in Gothic literature, film criticism, South Asian studies, and gender studies. Her work bridges Gothic studies with postcolonial and feminist literary criticism, offering fresh perspectives on Gothic traditions in Asian literature, particularly Bengali literary narratives. Debadrita has contributed significantly to Gothic scholarship through her analysis of female Gothic in the Sinister House of Secret Love series and Gothic elements in nineteenth-century Orientalist fiction. Her conference presentations include “Mapping the reimagination of the ‘travelling Heroine’ of Female Gothic” at the Ann Radcliffe Academic Conference and “The Gothic Castle as a Restraining Space for Unbridled Female Sexuality” at MAPACA, demonstrating her expertise in Gothic literary criticism. Currently serving on the Editorial Board of The Journal of the Motherhood Initiative (Demeter Press), Debadrita was formerly an Assistant Professor of English at Brainware University. Debadrita’s essays have been published in peer-reviewed journals like Rejoinder (Rutgers University), Genre en séries (OpenEditions), and The Journal of Intercultural Studies (Taylor & Francis). Her essay on consent and coercion in medieval Bengali literature was published in an edited volume titled Reconsidering Consent and Coercion in Medieval Literature by Brepols in June 2025.

Special Issue of Manusya, Journal of Humanities

The special issue of Manusya, Journal of Humanities on The Politics of Folklore in Asian Gothic, edited by Katarzyna Ancuta has been published. The issue contains five papers on topics related to Japanese, Taiwanese, Philippine, Malaysian and Thai literature and film, authored by our members Samantha Landau, Min-tser Lin, Jan Marvin A. Goh, Soumyarup Bhattacharjee, and Arthit Jiamrattanyoo as well as my introductory note. All the articles can be downloaded from the journal website below.

http://www.manusya.journals.chula.ac.th/archives/vol-27

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Gothic Literature: Creative Activity, Research, and Pedagogy

Call for Papers
Interdisciplinary Humanities
Special Double Issue
Gothic Literature: Creative Activity, Research, and Pedagogy

Interdisciplinary Humanities announces a special double issue dedicated to exploring Gothic literature’s rich and diverse world. This special issue will feature creative works, scholarly research, and pedagogy with a particular focus on the New England Gothic context, although submissions on alternate Gothic traditions are encouraged for specific areas of focus outlined below. We invite papers that investigate the New England Gothic genre’s literary, cultural, and historical dimensions as well as creative works that engage with, draw inspiration from, and/or reinterpret Gothic traditions for contemporary audiences.

Research Topics

We welcome submissions that engage with topics such as the following:

  • Critical analysis of Gothic texts, particularly focused on those rooted in the New England Gothic tradition.
  • The evolution of New England Gothic literature’s themes and motifs, including the supernatural, horror, isolation, and decay. Of particular interest are the ways in which these phenomena integrate with conversations about Indigenous peoples, the Puritans, religious and cultural superstitions and stereotypes, clashes of diverse cultures in these contexts, etc.
  • The intersection of Gothic literature with other literary genres such as horror, fantasy, science fiction, and media such as film, video games, and digital texts. This topic is open to submissions rooted across a more holistic Gothic literature and art field.
  • Comparative studies of New England Gothic with other regional Gothic traditions, such as Southern Gothic or Transatlantic Gothic.
  • Exploration of how New England Gothic literature reflects and shapes cultural anxieties related to gender, race, class, or historical trauma.
  • Environmental and eco-Gothic themes, particularly in relation to the landscapes of New England.
  • The role of art, architecture, geography, and space in Gothic narratives. This topic is open to submissions investigating a broad field of Gothic traditions.
  • The relationship between Gothic literature and cultural theory and analysis, including religious or philosophical traditions.

Creative Works

We also invite creative submissions inspired by Gothic traditions. These may include but are not limited to:

  • Short stories, flash fiction, or novel excerpts that are drawn specifically from New England Gothic themes and/or contexts.
  • Poetry that evokes the New England Gothic tradition’s atmosphere, tone, or imagery.
  • Experimental or hybrid forms that push the boundaries of New England Gothic literature.
  • Creative non-fiction or memoirs that reflect on personal encounters with New England Gothic themes, narratives, or landscapes.

Pedagogy

  • Innovative teaching methods for the Gothic.
  • Curriculum design and assessment strategies.
  • Interdisciplinary approaches to teaching Gothic texts.
  • Digital humanities and Gothic literature /culture education.

Editors

Volume 1: Gothic Literature: Creative Activity and Research

  • Jay Burkette (Embry-Riddle Aeronautical University)
  • Wendy Galgan (Saint Joseph’s College of Maine)
  • Megan Gannon (Ripon College)
  • Darian Wharton (University of New Mexico)

Volume 2: Gothic Literature / Culture and Pedagogy

  • Debra Bourdeau (Missouri University of Science and Technology)
  • Clint Jones (Capital University)
  • Mary Powell (Desert Vista High School and Grand Canyon University)
  • Elissa Pugh (Concord University)

Important Dates

  • Submission Deadline: September 1, 2025
  • Notification of Acceptance: November 1, 2025

Review Process

  • All submissions will undergo a double-blind peer review process. Manuscripts will be evaluated
    based on originality, relevance, methodological rigor, and contribution to the field.

Contact Information

  • Ed Cueva, Interdisciplinary Humanities Lead Editor: cuevae@uhd.edu

PBIC Thai Studies

We are happy to announce that the 3rd PBIC Thai Studies conference shall be on “Ghosts”. The conference shall take place on June 15th 2025 at PBIC Thammasat, Tha Prachan campus. We accept abstracts until May 1st 2025 sent to thstudies@pbic.tu.ac.th. Please see the poster for more information.

Monster Talk

MonsterTalk has been promoting science and critical thinking since 2009. We use monsters as a springboard to talk about a variety of monster topics. We’re skeptical of the existence of monsters, but we want to understand the mysterious experiences people report.

Blake Smith is the host & producer of MonsterTalk.

Karen Stollznow is an author, researcher and the co-host of the show.

The hosts of MonsterTalk are pretty easy to find but here’s some pointers if you need to get in touch with them.

Blake – Blake@monstertalk.org
Karen – Karen@monstertalk.org

Chawarote Valyamedhi

Dr Chawarote Valyamedhi is a full-time Assistant Professor at National Chengchi University, Taiwan. He holds PhD in Thai Dance, MA in Sanskrit, BFA in Music from Chulalongkorn University, Certificate in Japanese Culture and Language from Ryukoku University and Senshu University, Japan, and Certificate in Chinese Language and Culture from National Taiwan University. His research interests include connection between performing arts and literature, performing arts and beliefs, world performing arts, cultural history and intellectual history of dance. From July 2018 Chawarote is a visiting fellow at Taipei National University of the Arts. He has experience as lecturer at Thammasat University, Assumption University of Thailand, and as an adjunct faculty at Chulalongkorn University, Webster University Thailand, and Taipei National University of the Arts. He has served as a full-time faculty at National Chengchi University since 2021.

Folk Horror Lecture Series

In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.

In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.

In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.

In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.