
If you would like to join the Association, please fill in our membership form.
To have your profile featured on the website please send us a photo, or any image that could be used as your avatar.
If you would like to join the Association, please fill in our membership form.
To have your profile featured on the website please send us a photo, or any image that could be used as your avatar.
Interdisciplinary Humanities announces a special double issue dedicated to exploring Gothic literature’s rich and diverse world. This special issue will feature creative works, scholarly research, and pedagogy with a particular focus on the New England Gothic context, although submissions on alternate Gothic traditions are encouraged for specific areas of focus outlined below. We invite papers that investigate the New England Gothic genre’s literary, cultural, and historical dimensions as well as creative works that engage with, draw inspiration from, and/or reinterpret Gothic traditions for contemporary audiences.
We welcome submissions that engage with topics such as the following:
We also invite creative submissions inspired by Gothic traditions. These may include but are not limited to:
We are happy to announce that the 3rd PBIC Thai Studies conference shall be on “Ghosts”. The conference shall take place on June 15th 2025 at PBIC Thammasat, Tha Prachan campus. We accept abstracts until May 1st 2025 sent to thstudies@pbic.tu.ac.th. Please see the poster for more information.
MonsterTalk has been promoting science and critical thinking since 2009. We use monsters as a springboard to talk about a variety of monster topics. We’re skeptical of the existence of monsters, but we want to understand the mysterious experiences people report.
Blake Smith is the host & producer of MonsterTalk.
Karen Stollznow is an author, researcher and the co-host of the show.
The hosts of MonsterTalk are pretty easy to find but here’s some pointers if you need to get in touch with them.
Blake – Blake@monstertalk.org
Karen – Karen@monstertalk.org
Welcome to WordPress. This is your first post. Edit or delete it, then start writing!
Dr Chawarote Valyamedhi is a full-time Assistant Professor at National Chengchi University, Taiwan. He holds PhD in Thai Dance, MA in Sanskrit, BFA in Music from Chulalongkorn University, Certificate in Japanese Culture and Language from Ryukoku University and Senshu University, Japan, and Certificate in Chinese Language and Culture from National Taiwan University. His research interests include connection between performing arts and literature, performing arts and beliefs, world performing arts, cultural history and intellectual history of dance. From July 2018 Chawarote is a visiting fellow at Taipei National University of the Arts. He has experience as lecturer at Thammasat University, Assumption University of Thailand, and as an adjunct faculty at Chulalongkorn University, Webster University Thailand, and Taipei National University of the Arts. He has served as a full-time faculty at National Chengchi University since 2021.
Geo-Social Connection: The Continuing Journey of Critical Inquiry
Walailak University,
Nakhon Si Thammarat, Thailand
23–25 July 2025
Inter-Asia Cultural Studies’s vocation to reconnect political and cultural societies in Asia must be understood as an active resistance to the powers that sever the ties between them. Such powers may take forms of colonial expropriation, capitalist dispossession, or Cold War partitioning. This year’s IACS Conference theme, \”Geo-Social Connection: The Continuing Journey of Critical Inquiry,\” reiterates interconnectedness as an Inter-Asian key concept while highlighting the importance of geography and society as material sites of knowledge production at a continental level. We intentionally experiment with a neologism “geo-social” in this CfP as a conceptual heuristic that may encapsulate Inter-Asian connections defined by, yet being forged beyond, the “geopolitical.” Since 2025 marks two anniversaries meaningful to the IACS: the 15th Anniversary of Chen Kuan-Hsing’s Asia as Method and the 70th Anniversary of the Afro-Asian Bandung Conference, we propose to take these occasions to reflect on Inter-Asia’s past accomplishments, present challenges, and future aspirations. One tactical way to foster existing and emerging geo-social connections is through “inter-referencing,” which assists in illuminating shared problematics, political processes, and societal dynamics that have otherwise been concealed. Our theme reinforces the idea of Inter-Asia as an intellectual movement that continues to ask and grapple with critical questions relevant to Asian publics. We conceive of the IACS Conference 2025 as a space where scholars, cultural workers, and activists come together to collaborate on the following spotlight subthemes:
World/Global South
Challenges
Production
Transformation
Extractivism in Inter-Asian Contexts
We promote these subthemes because they reflect the interests of the organizers and IACS Society members. The Program Committee indeed welcomes every critical inquiry related to Asia from all (inter)disciplines, especially sessions that creatively and innovatively advance knowledge production from/about Asia. We particularly encourage proposals that engage with Inter-Asian and cultural studies frameworks.
We are pleased to invite colleagues to submit proposals for Organized Clusters (3-hour workshop session of 6-10 participants), Organized Panels (90-minute session of 3-4 panelists), Roundtables (90-minute session of 3-6 contributors), and Individual Papers. We strongly encourage organized sessions rather than individual submissions.
Proposals for the first three formats must designate the roles of Organizer (can be the same person as Chair or Presenter), Chair (can be the same person as Organizer or Presenter), and Presenter. Including a Discussant is optional. For Organized Clusters, we do not yet require a complete list of presenters. Once your Cluster is accepted, we will have another 1.5-month window for you to organize your own Call for Panelists. Double sessions can be requested for Clusters (6-hour session of more than 8 participants) and Panels (3-hour session of more than 6 participants). Please briefly explain in the description how you will utilize the double sessions. We will approve the request on a case-by-case basis.
An individual may not present more than one paper (special sessions such as Plenary or Keynote do not count as a paper) but may serve more than one role in the Conference. The Conference is in-person only as we do not have the capacity to afford online participation.
We support innovative proposals that will stimulate lively discussions beyond conventional paper presentations. Here are some examples: a focus on a single major paper, film, or book as the subject of attention, a performance or reading of a creative work followed by a discussion, a workshop of works-in-progress with commentators, a debate on interpretations or methodologies, an exploration of Inter-Asian teaching materials, or a discussion with activists, curators, exhibitors, or filmmakers.
We are committed to diversity and equity. We expect our panel submissions to demonstrate diversity in gender, institution, nationality, and professional role (i.e., graduate students, junior and senior scholars, and other professionals). We strongly urge Asia-based young scholars from diverse backgrounds to reach out, get organized, and apply.
While we ask the proposal to be submitted in English, our language of operation, we accommodate a presentation in an Asian language with the following conditions: 1) the scholar has difficulty presenting in English, 2) the scholar’s research significantly enriches the conversation, 3) a summary of the presentation will be made available in English, and 4) the Organizer or Chair is prepared to facilitate the exchange of ideas through translation and interpretation. This option is *not applicable to Individual Papers.
The deadline for application is November 1, 2024. Please submit the following through this portal, and expect to spare 10-15 minutes to complete the form.
1) proposal title
2) preferred format (i.e. Organized Cluster/Panel/Roundtable or Individual Paper)
3) session abstract/description (250 words maximum)
4) paper title & abstract (200 words maximum) *Not required for Roundtables and Innovative Panels without paper presentations
5) personal information (first and last name, email address, affiliation, position, gender, nationality, and current location *Not full address).
Please direct any questions to the IACS Secretariat at iacs2025wu@gmail.com.
We will notify the Organizer of the results by February 15, 2025. Cluster Organizers will receive an additional set of instructions about the confirmation of participants required by April 30, 2025.
In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.
In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.
In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.
In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.
In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.
In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.
In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.
In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.
In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.
In 2023, The Last Tuesday Society organised a series of lectures on folk horror, which included one on Thai folk horror.
The New York Times bestselling author, Chloe Gong, is one of the most exciting voices in Fantasy novels and she takes inspiration from Shakespeare. Her ‘Secret Shanghai’ series was a YA Fantasy retelling of Romeo and Juliet and she has just adapted Antony & Cleopatra for her Adult Fantasy trilogy, ‘Flesh and False Gods’. In Gong’s hands, Shakespeare’s women characters have become forces to reckon with.
On 17 November 2023, our very own Sarah Olive led a conversation with NYT bestselling author Chloe Gong. Sarah has been reading her work since 2020 (These Violent Delights was a big book she discovered during the pandemic). She teaches her work now and has written on the joyous multilingualism in her books for Jeunesse.
The event was a collaboration between the British Shakespeare Association and the Women & Shakespeare Podcast which has featured both Gong and Olive as guests.
The 12th Biennial Association for Southeast Asian Cinemas Conference will take place at Chiang Mai University, on 14 – 16 August 2025. The focus of the conference is Sustainable Futures: ecologies, kinships and communities in Southeast Asian Cinemas. This theme will be addressed from a broad range of perspectives in order to encourage critical engagement with current debates in film theory and the environmental humanities, inviting papers that theorize the diverse film and media practices across Southeast Asia including new developments in artists’ moving image, video art, VR, and activist media.
Recent years have seen a surge of interest in ecological approaches to film and media studies including publications devoted to Southeast Asia (e.g. Chua, Davis and Taylor, 2021; Chulphongsathorn and Lovatt, 2022; Ryan and Telles, 2022). Seeking to build on this work, the conference invites papers that develop new approaches to questions of ecology and sustainability from a variety of perspectives including film production, exhibition, discussion and circulation. We are interested in papers that respond to questions such as: What can a specific focus on Southeast Asian film bring to existing debates within the fields of energy ethics, the blue humanities, posthumanism and human-nonhuman relations (including human-spirit) and/or animal studies? And what kinds of practices build and sustain communities, kinships and solidarities in the face of ongoing ecological and humanitarian crises brought about by extractivist capitalism, war and authoritarianism?
We welcome a range of methodological and theoretical approaches. Topics could include (but are not limited to):