Supernatural animals, mystical beasts, and uncanny creatures: Folklore in place
9-13 November 2026, Guangzhou, China
Animals and animal-like beings are prominent in folklore around the globe, and they play an important role in how people view and know the world. Individuals may be frightened, awed, amused, killed, assisted, forewarned, or rescued through their encounters with mysterious creatures. These creatures may be ordinary animals imbued with powers beyond human comprehension, ghosts of animals, shapeshifting humans or spirits, powerful deities, or categories of supernatural beings in their own right. Stories of supernatural animals occur not just in first-person experience narratives but also in legends that help root a sense of local community and in mythical tales that contribute to constructing the nation.Ghostly pigs, spectral dogs, cunning or amorous fox spirits, murderous water-horses, helpful dolphins, noble dragons, seal lovers, world-bearing turtles, spirit animal companions, spookily prescient birds, wandering-soul mice, ferocious tigers, witch familiars, immense lake fish, animal ancestors, snail brides, spider gods, hunter-evading game animals—these are just a small selection of the uncanny creatures that have entered into and shaped human cultures.
Yet cultures, lifewJorlds, and places are mutually constitutive, and knowledge is always situated. Animal myths, legends, and narratives arise out of and develop within specific spatial and environmental contexts. This conference asks: What can place tell us about supernatural animal legends? What can mythical creatures tell us about the way people conceive of and create place? How can geographically situated animal folklore inform our understandings of cultural values—and perhaps of humanity itself?
We invite presentations that reflect on the role of place in constructing culture or the role of culture in constructing place in the context of supernatural animals in folklore, myth, legend, and tradition. The conference is open to all theoretical approaches.
Tommy Kuusela (PhD, Researcher and archivist at The Folklore Archive in Uppsala; Institute for Language and Folklore) will serve as keynote speaker.
Abstract submission: If you wish to give a presentation at the conference, please submit your proposal to co-convenor Adam Grydehøj agrydehoj@islanddynamics.org. Please use ‘Abstract for Supernatural Animals conference’ as the title for your e-mail. The proposal should include: 1) presentation title, 2) abstract (150-200 words), and 3) numbered list of authors/speakers (including e-mail addresses and affiliations for each author). All this information should be contained in the text of the submission e-mail rather than being included in an attachment. After submission, your proposal will be reviewed, and the organisers will respond with a decision as soon as possible. The earlier you submit your proposal, the earlier you will receive the decision. All presentations will be in English. The deadline for abstracts is 28 February 2026.
Conference location: The conference will be held in Guangzhou in China’s Pearl River Delta. Guangzhou is an ancient city shaped by its river and estuary environment. Guangzhou, known as ‘The City of Goats’, has an animal-related foundation myth, in which five colourful heavenly goats brought six kinds of grain to the people of the city. Over the millennia, Guangzhou’s landscape of wetlands and mountain islands has given way to a gleaming megacity, though its traditional Lingnan culture remains vibrant, and traditional music, foodways, festivals, and arts continue to be practiced. Field trips will explore Guangzhou’s rich history and culture (old and new) through visits to heritage sites such as Yong Qing Fang and its Cantonese Opera Museum, the colonial enclave of Shamian Island, the Chen Clan Ancestral Hall folk art museum, and the Pearl River itself (along which we will take a nighttime cruise). Delegates will also have the opportunity to take part in what we believe will be the first-ever Guangzhou Ghost Tour. A post-conference study trip will visit the nearby city of Zhaoqing, site of the magnificent and legend-filled lake island mountains, the Seven-Star Crags, as well as home to Long Mu, the Mother of Dragons. 9-11 November will be spent in Guangzhou, and 12-13 November will be spent in Zhaoqing.
Publication opportunity: This conference is organised in association with Island Dynamics and the peer reviewed, non-fee charging open access journal Folk, Knowledge, Place https://folkknowledgeplace.org. Presenters are strongly encouraged to submit papers for consideration for a special section of Folk, Knowledge, Place on the theme of ‘Supernatural animals, mystical beasts, and uncanny creatures’. Papers will need to match the journal’s theme and scope. The deadline for special section submissions is 30 April 2026. The aim is to allow papers that successfully pass peer review to be published in advance of the conference itself. Although we strongly encourage article submissions, it is not necessary to submit a paper to the journal or to have a paper accepted for publication in order to participate in the conference. To learn more about journal publication, please contact co-editor-in-chief Adam Grydehøj at agrydehoj@islanddynamics.org.
Conference registration: Presenters can register for the conference free of charge. Registration includes attendance at the conference presentations, participation in field trips inside Guangzhou, and a number of group meals. In order to finalise your place in the conference programme, it will be necessary for you to share in advance with the organisers the details of your plane tickets and your passport information. Those wishing to participate in the study trip to Zhaoqing will need to pay a fee to cover transportation and accommodation costs.
Travel, accommodation, and visas: Conference registration does not include accommodation or travel costs to and from Guangzhou. The organisers can assist with booking accommodation upon request. More information on recommended accommodation is coming soon. The most convenient way of reaching Guangzhou is to fly into Guangzhou Baiyun International Airport, located to the north of the city. It is possible to fly into Guangzhou Baiyun International Airport both directly from overseas and via stops in other Chinese cities. It is also possible to fly to Hong Kong International Airport or to Shenzhen Bao’an International Airport and then to take a bus or train to Guangzhou.
Citizens of many European and Asian countries now have the possibility of visa-free travel to China for up to 30 days. Citizens of other countries may need to apply for a visa. The conference organisers will provide the necessary documents for your visa application, but the application itself is your own responsibility.
Co-convenors: Adam Grydehøj (School of Foreign Languages, South China University of Technology) & Ping Su (School of Foreign Languages, South China University of Technology)
Organisers: School of Foreign Languages, South China University of Technology; ‘Folk, Knowledge, Place’; & Island Dynamics
Priyank Jain is a PhD Scholar at the National University of Malaysia (Universiti Kebangsaan Malaysia). His primary research area is Indian Postcolonial Gothic. He has published research articles in Q1 Journals and has presented papers in numerous international seminars. He was awarded the “Best International Student Program” Award, ATS-UKM 2024. He has also edited an anthology of short stories on Indian Gothic titled “Gothic of the Hidden Indian Corners”. He also has experience of teaching Literature and Communication subjects in various universities. He is an avid reader, and part of various book clubs.
Dr Muthu Swamy Nathan M is an Indian research scholar specializing in horror literature based at Pachaiyappa’s College, University of Madras, India. His research interests include Gothic studies, trauma theory, myth and folklore in modern fiction, and South Asian horror narratives. Over the past five years, his academic work has focused on exploring the evolution, themes, and socio-psychological dimensions of horror in literature. He pursued this specialization through both MPhil and PhD research, examining how horror functions as a cultural and narrative space that reflects trauma, gender politics, and societal anxieties.
Dr Jan Marvin A. Goh is an Assistant Professor at the University of Santo Tomas, where he previously served as Managing Editor and Editorial Staff Member of UNITAS: Journal of Advanced Research in Literature, Culture, and Society, the oldest extant multidisciplinary journal in the Philippines. He also serves as Archival Research Consultant at the Manuel V. Gallego Center for Heritage Studies. His academic engagements include participation in the Summer School on Streaming Media, Contemporary Society, and Cultural Memory (Jönköping University, 2024–2025), the Inter-Asia Cultural Studies Summer School (University of the Philippines, 2024), and the Summer School on Animals in Society (Mälardalen University, 2023). He completed the Executive Course on Research Management (De La Salle University, 2025) and has received several fellowships, including an Art Criticism Fellowship from the Kalaw-Ledesma Foundation (2025), a Literary Studies and Philippine Gothic Fellowship from Kritika La Salle: National Workshop on Art and Cultural Criticism (2025), an Urban Studies and Cultural Heritage Fellowship from Ateneo de Manila University (2019), and a Translator’s Fellowship from the Komisyon sa Wikang Filipino (2017). His research appears in the special section “The Politics of Folklore in Asian Gothic” in Manusya: Journal of Humanities and has been presented at numerous local and international conferences, including 45 Years of Jacques Derrida’s “Signature Event Context” (Philippines), Asian Folklore, Folk Horror and the Gothic (Taiwan), International Consortium of Critical Theory (South Korea), Critical Island Studies (Indonesia), Captivating Criminality 9: Crime and the Gothic (Thailand), and Romancing the Gothic’s Devils and Justified Sinners (United Kingdom). He is an active member of the Gothic in Asia Association and the National Research Council of the Philippines (NRCP) among others.
Dr Robert Yeates is Associate Professor of American Literature at Okayama University, Japan. He is the author of American Cities in Post-Apocalyptic Science Fiction (UCL Press, 2021) and has published articles in journals including Journal of the Fantastic in the Arts, Science Fiction Studies, and European Journal of Cultural Studies. More information can be found at 
Debadrita Saha is a PhD candidate in English Literature at Ashoka University, India, specialising in Gothic literature, film criticism, South Asian studies, and gender studies. Her work bridges Gothic studies with postcolonial and feminist literary criticism, offering fresh perspectives on Gothic traditions in Asian literature, particularly Bengali literary narratives. Debadrita has contributed significantly to Gothic scholarship through her analysis of female Gothic in the Sinister House of Secret Love series and Gothic elements in nineteenth-century Orientalist fiction. Her conference presentations include “Mapping the reimagination of the ‘travelling Heroine’ of Female Gothic” at the Ann Radcliffe Academic Conference and “The Gothic Castle as a Restraining Space for Unbridled Female Sexuality” at MAPACA, demonstrating her expertise in Gothic literary criticism. Currently serving on the Editorial Board of The Journal of the Motherhood Initiative (Demeter Press), Debadrita was formerly an Assistant Professor of English at Brainware University. Debadrita’s essays have been published in peer-reviewed journals like Rejoinder (Rutgers University), Genre en séries (OpenEditions), and The Journal of Intercultural Studies (Taylor & Francis). Her essay on consent and coercion in medieval Bengali literature was published in an edited volume titled Reconsidering Consent and Coercion in Medieval Literature by Brepols in June 2025.
